![]() Watch out for sounds in the silent portions of the track, and remove them without affecting the vocals. The more isolated the vocals are, even from room reverb, the better your results will be. This means having little to no background noises with the vocal track(s). With pitch correcting it’s very important to have clean, isolated vocals. check out this side article where we discuss a handful of Melodyne’s essential shortcuts. In most cases, the more in-tune your leads, harmonies, and instruments sound, the happier you’ll be with the end result. Also, manually pitching vocals will give your track an overall cleaner feel, unless that’s not something you’re going for. If you just simply applied autotune, the vocals might not hit their desired notes, and they will most likely sound very unnatural. Instead of recording tens or hundreds of times to get the pitch just right, you’ll be able to tweak the pitches while maintaining a natural sound. One benefit is the amount of time spent recording can be reduced. Autotune is, as its name implies, more of an automatic application to the vocals, with some parameters (key signature, depth, speed, etc.).Īlthough pitch correcting vocals is more time consuming than autotuning them, there are many more benefits to manually pitching your vocals versus just autotuning them.Pitch correction is more about tuning each individual note manually, thus giving the producer more control.Pitch correction is not autotune, and for those of you who don’t know, here is the difference between the two. Pitch Correction vs Autotune: What’s The Difference?īefore we dive into using Melodyne ( check latest price on PluginBoutique here) and learning about its different functions, we’ll clear up a common misconception and give you some helpful tips for maximizing your end results. He’s helped countless musicians achieve professional vocal takes on a shoestring budget. If you have vocals that need touching up but don’t have the time or access to Melodyne, consider using his services. This article was written by John Arquette, a producer specializing in pitch correction. ![]()
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